In this episode, we review Ryan Coogler's Sinners, along with some other stuff including Day of the Dead, Mission: Impossible The Final Reckoning, The Faculty, Mountainhead, and The Luckiest Man in ...

This week, we're taking a look at the video game adaptation Until Dawn, along with some other stuff including Final Destination: Bloodlines, Final Destination 5, Fear Street: Prom Queen, The Final ...

In this episode we take a look at the Gareth Evans'-directed actioner Havoc, along with some other titles including Novacaine, Cemetary Man, Hell of a Summer, April Fools Day, Locked, and Eephus.

This week on the show we review the dark sci-fi comedy Mickey 17, along with discussing some other titles including The Dead Talents Society, The Monkey, Oddity, One of Them Days, It's My Turn, and ...

This week on the show we'll be taking a look at Steven Soderbergh's Presence, along with some other stuff including Captain ...

This week on the show we’re reviewing Twisters, along with some other stuff including the Beverly Hills Cop series, Furiosa, The Bikeriders, Smooth Talk, Twister (1989), and Loop Track.

There is one pernicious caveat that Ben Affleck’s latest directorial effort will be subjected to and is all but required to meet in order for some to find some iota of enjoyment from its premise. The ...

In case you missed our 2022 top ten podcast, here’s a written list of Ken’s top ten films of 2022. For all our lists, click over here. Top Gun: Maverick is a swift and exhilarating achievement, a ...

In the third chapter of Andreas Malm’s controversial political call to activism, How to Blow Up a Pipeline: Learning to Fight in a World on Fire, the ecology professor and environmental activist rails ...

Existing on a provocative platform of questionable legality, De Humani Corporis Fabrica is unlike any documentary on the conditions of the healthcare industry that you are likely to see. Set within ...

The parodic deathblow dealt to the musician biopic subgenre, courtesy of Jake Kasdan’s Walk Hard: The Dewey Cox Story, has left subsequent genre entries with an unfortunate prospect: either reinvent ...

Considering the blunt imagery that the phrase “eat the rich” conjures in one’s mind, is it even possible for a satire that takes this sentiment as its main comedic driving force to be subtle anymore?