I’m not sure how the conversation started, but an opera friend of mine asked if I had ever heard soprano Leontyne Price's rendition of “The Liebestod” or “Love-Death” from Richard Wagner’s Tristan und ...
It was like the Liebestod that had killed Isolde on a hundred nights at the opera. The great Wagnerian voice had risen, had touched all the heroic notes, had softened, had faded, had died. For 20 ...
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