From the mariachi’s booming guitarron on “Cielito Lindo,” to the powerful accordeón in Los Tigres del Norte’s “Ni Parientes Somos” to even the trap drums of a Natanael Cano corrido tumbado, the sound ...
MEXICO CITY — At a Mexican military base, Captain Eduardo Barrón picks up not a rifle but a microphone. Swaying boot-to-boot, he belts out a song as the sounds of trumpets and accordions roar from a ...
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